Exploring HIZOGA’s Craft at COMO Metropolitan Bangkok

The World of HIZOGA at COMO Metropolitan Bangkok overview

Bangkok’s creative culture has long drawn energy from the meeting of old and new, from textiles and basketry to ceramics and glass. Today, a new generation of Thai designers is looking again at traditional materials and methods, finding new ways for craft to belong in contemporary life. It is in part an argument for slowness: the conviction that an object shaped by hand, over hours rather than seconds, still has a place at the table in our modern world.

Important details from the source

• Bangkok’s creative culture has long drawn energy from the meeting of old and new, from textiles and basketry to ceramics and glass.
• Today, a new generation of Thai designers is looking again at traditional materials and methods, finding new ways for craft to belong in contemporary life.
• It is in part an argument for slowness: the conviction that an object shaped by hand, over hours rather than seconds, still has a place at the table in our modern world.
• It is a conversation that comes into focus at COMO Metropolitan Bangkok this September, when Thai designer Sept KongtanachoQ brings HIZOGA Gallery Studio to the hotel for three months, in a collaboration that is part gallery, part shop and part working studio.
• It’s a chance for guests to connect directly with Bangkok’s creative culture, encountering both the work and the makers shaping the city’s contemporary craft scene.
• KongtanachoQ founded HIZOGA from a fascination with glassmaking and the possibilities of reinterpreting local making traditions through contemporary design.
• Combining glassblowing techniques with modern methods, she creates pieces that move easily between art and function: sculptural objects and jewellery alongside vessels, drinkware and objects for the home.
• For the artist, the individuality of handmade glass is central to its appeal.
• Each object carries traces of the process behind it, with subtle variations that give an everyday piece its own character.
• Her work also questions the distinction between something made to be admired and something made to be enjoyed.

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